Get ready for goosebumps hearing late greats John Denver and Cass Elliot’s live duet on “Leaving on a Jet Plane” – this has to be one of the greatest vocal duos ever!

John Denver. Cass Elliot. Two of the all-time greats of folk music. Get ready for goosebumps listening to the late legends’ live duet on John’s classic “Leaving on a Jet Plane.” As a top commenter said, “The harmonies are just crushingly beautiful.” This has to be one of the greatest vocal duos ever right here. And hearing John and Cass sing together with John’s masterful acoustic guitar playing for accompaniment is exactly how we love to hear them.

John and Cass sang “Leaving on a Jet Plane” on Burt Sugarman’s Midnight Special, with the segment originally airing on August 19, 1972. You really had to have some deep talent to make it back in those days. John and Cass sing absolutely flawlessly, both solo and in harmony, even though they only had a single live take to nail the parts. And the way their voices blend together touches something in the soul. The Music Man has to say we could listen to these two icons singing together all day!
John’s official YouTube channel’s upload of the duet hit 12.6 million views. Fans loved the throwback performance, and added comments such as “No Auto-Tune, no computer-generated anything. Just raw, clean musicianship and beautiful harmonies. Thanks John and Cass.” and “At nearly 65 years old, this song still gives me chills and brings tears to my eyes… RIP John and Cass.”
John’s live performances always hit the mark. His 1972 live solo performance of “Leaving on a Jet Plane” is the perfect showcase for his gorgeous voice. You can tell he was shooting straight from the heart when he wrote this song, and it comes through so beautifully every time he performs it live. We also have to give it up for John’s deft 12-string acoustic guitar playing – he really had it all as a musician.
John Denver wrote “Leaving on a Jet Plane” and first recorded it in 1966 for his first demo, John Denver Sings. The New Mexico star re-recorded the song for his first studio album, Rhymes & Reasons, and issued it as the second single from the release. The Music Man readers might be interested to hear the curious fact that “Leaving on a Jet Plane” failed to chart. Despite this, over the years it became one of John’s most popular songs and a certified folk classic. On BBC Radio, John said “Leaving on a Jet Plane” is “a very personal and very special song for me” and said it conjures up “the simple scenes of leaving… someone that you care for very much” to head on the road.
When an Undefeated Cage Fighter Threatens His Girlfriend's Mother, His Coach Suddenly Recognizes Her

I spent fifteen years teaching Marines how to fight, and I had one rule I never broke: never put your hands on a civilian unless you have no other choice. Then my daughter landed in the ER with a concussion and bruised ribs, and her boyfriend told everyone she "fell down the stairs." I drove straight to his fight gym. He laughed in my face. Every man in that room thought he was looking at a gray-haired mom in a carpenter's jacket. They were very wrong.
PART 1: She Fell Down The Stairs
His name was Colt Lusk. I didn't like him from the very first handshake.
Too confident. Too loud. The kind of young man who thinks scaring people is the same thing as being strong.
My daughter, Lainey, had been dating him for five months. She was twenty-three, a nursing student at the community college, with my stubborn chin and her late father's kind eyes. Colt was twenty-six. He was a cage fighter. Eight wins, no losses. In our little beach town of Morehead City, North Carolina, people treated him like a movie star.
His uncle, Boyd Lusk, owned the gym where he trained. He also owned the biggest car dealership in the county, half the buildings on Main Street, and the sheriff's last three election campaigns.
Colt knew all of that. That's why he walked around like nothing could ever touch him.
I started noticing the changes in Lainey in the spring.
She wore long sleeves on hot days. She stopped laughing the way she used to. She jumped when her phone buzzed. She canceled Sunday dinner with me three weeks in a row.
Then one night in April, she came over to help me in my woodshop. I build kitchen cabinets for a living now. When she reached up to grab a box of screws, her sleeve slid back.
There were bruises on her upper arm. Four of them, in a row. Shaped like fingers.
Something inside me went very cold and very quiet.
"Lainey," I said. "Who did that?"
"Nobody, Mom. I bumped into a door."
The mother in me wanted to drive to Colt's apartment that same night.
But the Marine in me knew something else. Anger without information gets people hurt. So I waited. I watched. And I started asking quiet questions around town.
I found out Colt's last girlfriend had moved to Ohio in the middle of the school year, without telling anybody why. I found out the girlfriend before that had filed a complaint with the sheriff's office two years ago. The complaint had disappeared.
A week later, Lainey showed up at my door at midnight, crying so hard she could barely talk.
"Mom, please don't do anything," she begged. "Please."
I held her by the shoulders. "What happened, baby?"
She shook her head. "He said if I ever leave him, he'll make my life hell. He said his uncle owns this town. He said nobody can protect me. Not even you."
I pulled her against my chest. "I'll handle it."
She grabbed my shirt with both fists. "Mom, no. You don't understand these people."
I understood men like Colt Lusk much better than she knew.
Two weeks later, the phone call I had been dreading finally came. It was my sister, who works at the hospital.
"Sloane, Lainey's in the ER," she said. Her voice was shaking. "She has a concussion. Two bruised ribs. And a cut over her eye."
My hands tightened on the steering wheel. "What happened?"
"She's telling everybody she fell down the stairs at his apartment," my sister said quietly. "Sloane, his apartment is on the ground floor."
I should have driven to the hospital.
Instead, I turned the truck around and drove to the gym.
The Lusk Combat Club smelled like sweat, bleach, and old leather. Heavy bags swung from steel chains. Loud music thumped from the speakers. And there was Colt, by the fighting cage, laughing with his coach and three of his friends.
He saw me walk in. His grin got wider.
"Well, well. Mommy came to visit."
His coach looked me over. A gray ponytail. Paint-stained carpenter's jacket. Work boots. Fifty-two years old, with some extra weight around the middle I didn't have twenty years ago.
He laughed. "What are you gonna do, Grandma? Give us a lecture?"
I stopped about six feet from Colt.
"You put your hands on my daughter," I said.
Colt smirked. "Your daughter's clumsy."
Then he took a step closer. "She said her mom used to be some kind of soldier. She said you'd protect her. So I showed her what that's worth."
His friends started to move. One to my left. Two behind me. The coach walked over and stood in front of the door.
"Here's how this goes, lady," the coach said. "You turn around and walk out of here. Or you leave on a stretcher."
I smiled. Not because anything was funny. Because for fifteen years, I watched cocky young Marines make the exact same mistake. They saw gray hair. They saw a few extra pounds. They never saw the experience.
"For fifteen years, I was a hand-to-hand combat instructor for the United States Marine Corps," I said quietly. "I trained Marines. I trained the men who train Marines."
One of Colt's friends stopped smiling. Colt laughed anyway.
But behind him, the coach by the door suddenly went very still. He was staring at me. At my face.
He had just recognized me.